The John Marsden & Hachette Australia Prize for Young Writers awards unforgettable opportunities for Australian students of secondary school age, across the categories of poetry, fiction and nonfiction

The prize is judged by John Marsden, Express Media and Hachette Australia.

Fifteen shortlisted writers will be invited to meet John Marsden and participate in an exclusive workshop with a best-selling author.

Prize winners will also receive a cash prize and a book pack of YA titles, courtesy of Hachette Australia, plus publication of their work on the Express Media website and acknowledgement in Australia's premier youth literary journal, Voiceworks.

The prize will be presented in a special event at the 2017 Melbourne Writers Festival on Thursday August 31, 2017.

How to Enter

  1. All entries must be received by 9am, Friday June 30, 2017
  2. One entry may be submitted, per category, with a maximum of 2 entries across the 3 categories
  3. Each entry must be submitted via the submissions portal, with one entry per submission form. DO NOT put multiple submissions in one word or PDF document
  4. Submissions of fiction or nonfiction may be up to 3,000 words in length
  5. Submissions of poetry may be up to 100 lines in length
  6. All entries must be typed and double-spaced
  7. Your name should not be included anywhere on your submission; it should only be entered in the submission form
  8. Submittable accounts must be created in the entrant’s own name and list the entrant's contact details

Conditions of Entry

  1. Entries must be original works, written entirely by the entrant, and must not infringe upon anyone else’s copyright
  2. Entries must not have previously been published in print or online
  3. The judges’ decision is final; no correspondence will be entered into about the judgements or the judging process
  4. Only shortlisted entrants will receive feedback on entries
  5. All members currently serving on the Express Media board; and/or all paid, permanent staff of Express Media, are ineligible to enter
  6. Entrants must have permission from a parent/guardian/teacher to enter the prize  
Note: Entrants must acknowledge and agree to these terms upon submission. Parent/guardian/teacher of the entrant must confirm permission for entry upon submission.

Prize Details

Shortlisted writers from each prize category receive:

  • Feedback on their writing from Hachette Australia and Express Media judges
  • An invitation to meet John Marsden over lunch hosted by Hachette Australia and Express Media
  • An invitation to take part in an exclusive workshop with best-selling author ********
  • An invitation to attend a premiere event as a guest of the Melbourne Writers Festival

The first place winner of each prize category receives the above, plus:

  • A $500 cash prize
  • A $500 travel reimbursement to attend the winners’ announcement event
  • A book pack of selected works from Hachette Australia’s young adult publications
  • Publication on Express Media's website
  • Acknowledgement in Voiceworks, Australia's premiere youth literary journal

For more information please email education@expressmedia.org.au

Ends in 2 days, 19 hours

Learn about story structure, character, setting and everything in between.

Express Media presents Toolkits: Fiction, a step-by-step online program combining theoretical approaches, practical exercises, group workshopping, and one-on-one mentorship to guide young writers through the development of new works of fiction.

Over a 12-week intensive, participants will explore storytelling and ethics, learn how to craft characters, plots and plans and how to polish work for publication. Toolkits is first and foremost a practical initiative and young writers will be encouraged to write, workshop and edit their writing throughout the course.

In 2017, Toolkits: Fiction will be facilitated by Jennifer Down, author of Our Magic Hour and Pulse Points (released August 2017). Jennifer will facilitate the online sessions and workshops, providing one-on-one mentorship and individualised feedback to each writer.

Participants will also have the chance to learn from some of the best working writers in the country, with guest artists Omar Musa, Tony Birch and Elena Gomez presenting online sessions for the next generation of Australian writers.

Tuesday June 27 | Week 1: A Very Good Place to Start

How do you hook a reader from the start? How can your first paragraph inform the structure of your story? We examine some of the best beginnings in literature to unpack what constitutes a successful beginning to a story before crafting your own – then we’ll talk about where to next.

Tuesday July 4 | Week 2: You’re the Voice (Try and Understand It) with Omar Musa

Whose story are you telling? How are you (or your characters) telling it? What makes dialogue sound real? Join Omar Musa – poet, spoken-word superstar and author of the Miles Franklin-longlisted novel Here Come the Dogs – to look at strategies for crafting an authentic, strong narrative voice. Challenge your understanding of the ethics in storytelling and get in tune with sounds of your story.

Tuesday July 25 | Week 3: It’s Character-building

Character is a key element of successful fiction writing. What makes a memorable character in fiction? Do we have to be able to relate to all characters as a reader? How can you get inside your characters’ heads– when they came from yours? This week we’ll look at the notion of ‘flat’ versus ‘round’ characters and explores strategies for creating believable, fleshed-out figures in your own work.

Tuesday August 8 | Week 4: Ready, Get Set(ting), Go with Tony Birch

Setting is about more than just a story’s location – it’s the time period, environment, climate, landscape and culture of your writing. How can we create a sense of place without physical descriptors? How can we write about places we’ve never seen, or make up our own locations? Can we write place as its own real and convincing character? Join Tony Birch, award-winning author of Ghost River, Father’s Day and Blood, to discover the intersections between between setting and environment, and their relationship to place.  

Tuesday August 22 | Week 5: Sentenced to Life

What does it mean to have control over your writing? How can you fine-tune your writing to ensure every sentence is as forceful or as graceful as possible? We’ll delve into the nitty-gritty of fiction – pulling apart stories at sentence level and discussing rhythm, imagery, tone and clarity to discover what makes good writing great.

Tuesday September 5 | Week 6: Polishing, editing and submitting your work with Elena Gomez

Now that you’ve finished a draft of your story, what do you do with it? Join poet, essayist and book editor Elena Gomez to break down the nuts and bolts of fiction and learn how to edit out the guff and bring out the detail you need to make a story sing. Learn how to self-edit, refine and revise your work, the dos and don’ts of submission processes, and how to approach your favourite publications. 

Applications to Toolkits are free for Express Media members. If you're not already a member, you can sign up here.

Express Media is committed to access, so if you would like to sign up and are experiencing financial hardship, please contact us via info@expressmedia.org.au to be awarded one of our sponsored memberships.

Have a question? Need help with your application? Send an email to Fiona Dunne, Express Media’s Creative Producer at creativeproducer@expressmedia.org.au.

Applications are now open and close Wednesday May 31.

Ends in 2 days, 19 hours

What is poetry? What makes it different from other forms of art and writing? How do I write and publish my own poems?

Express Media and Australian Poetry present Toolkits: Poetry, an online course in the forms, functions, histories and uses of poetry, combining theoretical approaches, practical exercises, group workshops, and one-on-one mentorship to guide young writers through the development of new work.

Over a 12-week intensive, participants will explore the histories, language and the changing face of poetry, and be challenged to engage with the art form in unique and different ways. The program also covers writing poetry in the digital age, Aboriginal histories in Australian literature, the intersections of writing and visual art, and how to edit your work for publication.

Toolkits is first and foremost a practical initiative and young writers will be encouraged to write, workshop and edit their writing throughout the course.

In 2017, Toolkits: Poetry will be facilitated by Melody Paloma, an established writer and poet from Melbourne, and the 2014 winner of the Overland Judith Wright Poetry Prize. Melody will facilitate the programs online sessions and workshops, providing one-on-one mentorship and individualised feedback to each young writer.

Participants also have the chance to learn from some of Australia’s best poets, with guest artists Bella Li and Evelyn Araluen presenting live and online sessions for the next generation across the country.

Tuesday July 4 | Week 1: What Is Poetry?

What does poetry look like? We’ll focus on the vast and differing forms poetry can take, appreciating the scope of the poetic form and learning to identify what makes an individual poem tick.

Tuesday July 18 | Week 2: Language and Poetry

How does poetry use language differently than other forms of creative writing? What makes a poem a poem? Why do we write poetry? We’ll discuss the distinctive and varied approaches to reading and writing poetry.

Tuesday August 1 | Week 3: Aboriginal Histories and Poetry with Evelyn Araluen

Why is it so important to create space for Aboriginal voices in our literary institutions? Join Evelyn Araluen to explore the history of Aboriginal writers in Australian literature; from ancestral songs and stories to contemporary poetics; and learn why everyone benefits from the ethical representation and reception of Aboriginal writing.

Tuesday August 15 | Week 4: Fiction vs Nonfiction Poetry

While some poets write from life, others have devoted their practice to removing their craft entirely from their own identities; creating pen names or fictitious literary selves. This week we’ll look at what it means to write fiction and nonfiction in poetry, in its blurry and multiple forms.

Tuesday August 29 | Week 5: Poetry and Visual Art with Bella Li

The relationship between poetry and visual art has a long and expansive history. This week we’re talking collaboration, interdisciplinary approaches and ekphrasis with Bella Li, to consider the various ways in which we can develop our poetry practice through incorporating the visual.

Tuesday September 12 | Week 6: Editing and Publishing Poetry

Learning how to edit your own poetry is an integral part of being a poet, and knowing how to get your work out into the world is essential. We focus on the nitty gritty of how to edit and publish your work, from DIY chapbooks, blogs and zines, to the 101 of poetry journals. Our final week is all about taking your poetry from your desk to the people.

Applications to Toolkits are free for Express Media members. If you're not already a member, you can sign up here.

Express Media is committed to access, so if you would like to sign up and are experiencing financial hardship, please contact us via info@expressmedia.org.au to be awarded one of our sponsored memberships.

Have a question? Need help with your application? Send an email to Fiona Dunne, Express Media’s Creative Producer at creativeproducer@expressmedia.org.au.

Applications are now open and close Wednesday May 31.

Submission Guidelines

We accept submissions to all areas of the magazine at all times. Please make sure you read the following guidelines closely. If you’re unsure about any of the guidelines, please contact Voiceworks editor Lucy Adams here.

We are only able to publish work by writers and artists who are under twenty-five at the time of submission. Please also keep in mind that because of our funding arrangements, we are only able to publish Australian writers and artists. However, international students are excepted from this.

Voiceworks only considers previously unpublished work (which includes personal websites and blogs). We accept simultaneous submissions, but please let us know if your work is accepted for publication elsewhere. 

If your submission is unsuccessful, we will notify you as soon as we can and then provide you with detailed feedback a little later. Feedback is written by a small group of volunteers and we receive a lot of submissions, so we appreciate your patience. If you think something’s gone wrong, or you haven’t heard from us three months after the submission deadline, please get in touch.

Nonfiction Guidelines

We recommend that you pitch your nonfiction work before sending it to us. For advice on how to construct your pitch, and write good nonfiction in general, check out our handy nonfiction guide here. Send no more than two nonfiction pieces (including pitches), each no more than 3000 words. If you are submitting two completed nonfiction pieces, please upload them both in this submission (as two separate documents), rather than creating a second completed nonfiction submission.

We encourage you to submit across genres, but please send us no more than four submissions in total (excluding visual art).

Those seeking to submit nonfiction pitches, fiction, poetry and visual art, please see the separate submission categories. 

Deadline

Sunday the 25th of June, 11:59pm

Theme

#109 'Sprawl' (Spring 2017)

sp         spr                    spr                    spra                  spraw                sprawl   sprawllllllllllllllllllll

Welcome to the process of suburbanisation. Join the tour of Outer (Sub)Urban Car-mmunities. When the centre is no longer the centre, watch the rise of multiple, alternate centres: the geographic centre, the second centre, the CBD, the heartland. Leapfrog development—you’ve jumped over this landlock/you’re locked out of that land. The horizon’s been chased and followed and eaten up, pushed to the sidelines, pulled back and shot off into the distance. All you can do is watch on as you move your heart outwards, mismatch your socks, dream of a tube that sprints underneath you. All limbs are akimbo, spreadeagled to catch your fall. Feel the ground push up against every part of your body, the earth pulsing, pulse quickening, fingertips that stretch apart like a boat pushed away from its dock. The reef is dying, its whiteness widening, and soon there’s only rubble seen from space. On public transport they save room for cats, knees spread apart and open backpacks spilling contents across the aisle. The afternoon plods on, minutes refusing to pass.

~Thanks to EdCommers Phoebe Paterson de Heer and Holly Friedlander Liddicoat for the blurb~

Remember, you don't have to stick to the theme. Most of all, we want good writing. Our motto is:

—Themed work: good

—Good work: better

—Good themed work: BEST 

Rates of Pay

$100 per published piece.

Terms of Publication

Express Media publishes work in Voiceworks on a non-exclusive, irrevocable and royalty-free basis. We require writers who will be published in Voiceworks to sign a licence deed granting us permission to publish work in the printed Voiceworks magazine, on the Express Media website, and for use in promoting our magazine. Writers retain copyright of their work and are free to use in whatever way they’d like in the future. Please only submit your work if you are satisfied with these terms. For more information about this, please contact us.

Submission Guidelines

We accept submissions to all areas of the magazine at all times. Please make sure you read the following guidelines closely. If you’re unsure about any of the guidelines, please contact Voiceworks editor Lucy Adams here.

We are only able to publish work by writers and artists who are under twenty-five at the time of submission. Please also keep in mind that because of our funding arrangements, we are only able to publish Australian writers and artists. However, international students are excepted from this.

Voiceworks only considers previously unpublished work (which includes personal websites and blogs). We accept simultaneous submissions, but please let us know if your work is accepted for publication elsewhere. 

If your submission is unsuccessful, we will notify you as soon as we can and then provide you with detailed feedback a little later. Feedback is written by a small group of volunteers and we receive a lot of submissions, so we appreciate your patience. If you think something’s gone wrong, or you haven’t heard from us three months after the submission deadline, please get in touch.

Fiction Guidelines

Send no more than two fiction pieces, each no more than 3000 words. If you are submitting two stories, please upload them both in this submission (as two separate documents), rather than creating a second fiction submission.

We encourage you to submit across genres, but please send us no more than four submissions in total (excluding visual art).

Those seeking to submit nonfiction, poetry or visual art, please see the separate submission categories. 

Deadline

Sunday the 25th of June, 11:59pm

Theme

#109 'Sprawl' (Spring 2017)

sp         spr                    spr                    spra                  spraw                sprawl   sprawllllllllllllllllllll

Welcome to the process of suburbanisation. Join the tour of Outer (Sub)Urban Car-mmunities. When the centre is no longer the centre, watch the rise of multiple, alternate centres: the geographic centre, the second centre, the CBD, the heartland. Leapfrog development—you’ve jumped over this landlock/you’re locked out of that land. The horizon’s been chased and followed and eaten up, pushed to the sidelines, pulled back and shot off into the distance. All you can do is watch on as you move your heart outwards, mismatch your socks, dream of a tube that sprints underneath you. All limbs are akimbo, spreadeagled to catch your fall. Feel the ground push up against every part of your body, the earth pulsing, pulse quickening, fingertips that stretch apart like a boat pushed away from its dock. The reef is dying, its whiteness widening, and soon there’s only rubble seen from space. On public transport they save room for cats, knees spread apart and open backpacks spilling contents across the aisle. The afternoon plods on, minutes refusing to pass.

~Thanks to EdCommers Phoebe Paterson de Heer and Holly Friedlander Liddicoat for the blurb~

Remember, you don't have to stick to the theme. Most of all, we want good writing. Our motto is:

—Themed work: good

—Good work: better

—Good themed work: BEST 

Rates of Pay

$100 per published piece.

Terms of Publication

Express Media publishes work in Voiceworks on a non-exclusive, irrevocable and royalty-free basis. We require writers who will be published in Voiceworks to sign a licence deed granting us permission to publish work in the printed Voiceworks magazine, on the Express Media website, and for use in promoting our magazine. Writers retain copyright of their work and are free to use in whatever way they’d like in the future. Please only submit your work if you are satisfied with these terms. For more information about this, please contact us.

Submission Guidelines

We accept submissions to all areas of the magazine at all times. Please make sure you read the following guidelines closely. If you’re unsure about any of the guidelines, please contact Voiceworks editor Lucy Adams here.

We are only able to publish work by writers and artists who are under twenty-five at the time of submission. Please also keep in mind that because of our funding arrangements, we are only able to publish Australian writers and artists. However, international students are excepted from this.

Voiceworks only considers previously unpublished work (which includes personal websites and blogs). We accept simultaneous submissions, but please let us know if your work is accepted for publication elsewhere. 

If your submission is unsuccessful, we will notify you as soon as we can and then provide you with detailed feedback a little later. Feedback is written by a small group of volunteers and we receive a lot of submissions, so we appreciate your patience. If you think something’s gone wrong, or you haven’t heard from us three months after the submission deadline, please get in touch.

Pitching to Voiceworks

Before submitting your pitch/es, we strongly recommend reading our nonfiction guide here, which has advice on what we look for in nonfiction submissions and how to write good nonfiction in general. Here's the bit on how to construct your pitch:

The best pitches include detail! Clearly lay out your angle and argument, and provide specific examples of the research and anecdotes you’ll draw upon. Submit a document addressing the questions below, along with a 300-word sample from the start of the piece if you have one.

  • What is your key point or argument?
  • What is your particular angle to take?
  • What is the logical and structural progression of your piece?
  • Why are you the person to write this piece? Personal experience, willingness to research, etc.
  • If you need evidence, where did you get it from? What research have you conducted?
  • Why Voiceworks?
  • How long is the piece going to be?

If your pitch is selected

If we think the work you pitched would be a good fit for Voiceworks, we will (ideally) get in touch around two weeks after the pitch deadline. We’ll provide advice and direction on how to approach the piece, and request a full draft to be submitted around three weeks later. This isn’t very much time! Because of the tight turnaround, we prefer pitches that demonstrate some prior research, preparation and thought, so that you’re not scrambling to research and write an entire piece from scratch in a matter of weeks.

Just to be clear, the full drafts we request are not guaranteed publication, but responding to our suggestions early on gives your piece the best possible chance. 

Nonfiction Guidelines

Send no more than two nonfiction pieces (including pitches and completed pieces). If you are submitting two pitches, please upload them both in this submission, rather than creating a second pitch submission.

We encourage you to submit across genres, but please send us no more than four submissions in total (excluding visual art).

Those seeking to submit completed nonfiction, fiction, poetry and visual art, please see the separate submission categories. 

Deadline

Sunday the 11th of June, 11:59pm

Theme

#109 'Sprawl' (Spring 2017)

sp         spr                    spr                    spra                  spraw                sprawl   sprawllllllllllllllllllll

Welcome to the process of suburbanisation. Join the tour of Outer (Sub)Urban Car-mmunities. When the centre is no longer the centre, watch the rise of multiple, alternate centres: the geographic centre, the second centre, the CBD, the heartland. Leapfrog development—you’ve jumped over this landlock/you’re locked out of that land. The horizon’s been chased and followed and eaten up, pushed to the sidelines, pulled back and shot off into the distance. All you can do is watch on as you move your heart outwards, mismatch your socks, dream of a tube that sprints underneath you. All limbs are akimbo, spreadeagled to catch your fall. Feel the ground push up against every part of your body, the earth pulsing, pulse quickening, fingertips that stretch apart like a boat pushed away from its dock. The reef is dying, its whiteness widening, and soon there’s only rubble seen from space. On public transport they save room for cats, knees spread apart and open backpacks spilling contents across the aisle. The afternoon plods on, minutes refusing to pass.

~Thanks to EdCommers Phoebe Paterson de Heer and Holly Friedlander Liddicoat for the blurb~

Remember, you don't have to stick to the theme. Most of all, we want good writing. Our motto is:

—Themed work: good

—Good work: better

—Good themed work: BEST 

Rates of Pay

$100 per published piece.

Terms of Publication

Express Media publishes work in Voiceworks on a non-exclusive, irrevocable and royalty-free basis. We require writers who will be published in Voiceworks to sign a licence deed granting us permission to publish work in the printed Voiceworks magazine, on the Express Media website, and for use in promoting our magazine. Writers retain copyright of their work and are free to use in whatever way they’d like in the future. Please only submit your work if you are satisfied with these terms. For more information about this, please contact us.

Submission Guidelines

We accept submissions to all areas of the magazine at all times. Please make sure you read the following guidelines closely. If you’re unsure about any of the guidelines, please contact Voiceworks editor Lucy Adams here.

We are only able to publish work by writers and artists who are under twenty-five at the time of submission. Please also keep in mind that because of our funding arrangements, we are only able to publish Australian writers and artists. However, international students are excepted from this.

Voiceworks only considers previously unpublished work (which includes personal websites and blogs). We accept simultaneous submissions, but please let us know if your work is accepted for publication elsewhere. 

If your submission is unsuccessful, we will notify you as soon as we can and then provide you with detailed feedback a little later. Feedback is written by a small group of volunteers and we receive a lot of submissions, so we appreciate your patience. If you think something’s gone wrong, or you haven’t heard from us three months after the submission deadline, please get in touch.

Poetry Guidelines

Please send no more than three poems, each no more than 100 lines in total, and combine all poems into one document. Check out some tips for strengthening your poetry submission here.

We encourage you to submit across genres, but please send us no more than four submissions in total (excluding visual art).

Those seeking to submit fiction, nonfiction and visual art, please see the separate submission categories. 

Deadline

Sunday the 25th of June, 11:59pm

Theme

#109 'Sprawl' (Spring 2017)

sp         spr                    spr                    spra                  spraw                sprawl   sprawllllllllllllllllllll

Welcome to the process of suburbanisation. Join the tour of Outer (Sub)Urban Car-mmunities. When the centre is no longer the centre, watch the rise of multiple, alternate centres: the geographic centre, the second centre, the CBD, the heartland. Leapfrog development—you’ve jumped over this landlock/you’re locked out of that land. The horizon’s been chased and followed and eaten up, pushed to the sidelines, pulled back and shot off into the distance. All you can do is watch on as you move your heart outwards, mismatch your socks, dream of a tube that sprints underneath you. All limbs are akimbo, spreadeagled to catch your fall. Feel the ground push up against every part of your body, the earth pulsing, pulse quickening, fingertips that stretch apart like a boat pushed away from its dock. The reef is dying, its whiteness widening, and soon there’s only rubble seen from space. On public transport they save room for cats, knees spread apart and open backpacks spilling contents across the aisle. The afternoon plods on, minutes refusing to pass.

~Thanks to EdCommers Phoebe Paterson de Heer and Holly Friedlander Liddicoat for the blurb~

Remember, you don't have to stick to the theme. Most of all, we want good writing. Our motto is:

—Themed work: good

—Good work: better

—Good themed work: BEST 

Rates of Pay

$100 per published piece.

Terms of Publication

Express Media publishes work in Voiceworks on a non-exclusive, irrevocable and royalty-free basis. We require writers who will be published in Voiceworks to sign a licence deed granting us permission to publish work in the printed Voiceworks magazine, on the Express Media website, and for use in promoting our magazine. Writers retain copyright of their work and are free to use in whatever way they’d like in the future. Please only submit your work if you are satisfied with these terms. For more information about this, please contact us.

Submission Guidelines

We accept submissions to all areas of the magazine at all times. Please make sure you read the following guidelines closely. If you’re unsure about any of the guidelines, please contact Voiceworks Editor Lucy Adams here.

We are only able to publish work by artists who are under twenty-five at the time of submission. 
Voiceworks only considers previously unpublished work (which includes personal websites and blogs). Please also keep in mind that because of our funding arrangements, we are only able to publish Australian writers and artists. However, international students are excepted from this.

Visual art submissions include comics, illustrations, drawings, graphics, photography, etc. We recommend that you pitch your comics before sending them to us. For advice on how to construct your pitch, check out our handy guide here

We print in black-and-white (greyscale) and our page dimensions are 170 x 245 mm. Please supply your images at actual size and 300dpi. Please name your files—strings of numbers and letters are easily confused with other submissions.

Please send no more than three pieces. If you are submitting more than one piece, please upload them all in this submission, rather than creating a second visual art submission.

We will notify you as soon as we can with news on whether your submission has been accepted. Voiceworks is largely run by a team of volunteers, so we appreciate your patience. If you think something’s gone wrong, or you haven’t heard from us three months after the submission deadline, please get in touch.

Deadline

Sunday the 23rd of July, 11:59pm

Theme

#109 'Sprawl' (Spring 2017)

sp         spr                    spr                    spra                  spraw                sprawl   sprawllllllllllllllllllll

Welcome to the process of suburbanisation. Join the tour of Outer (Sub)Urban Car-mmunities. When the centre is no longer the centre, watch the rise of multiple, alternate centres: the geographic centre, the second centre, the CBD, the heartland. Leapfrog development—you’ve jumped over this landlock/you’re locked out of that land. The horizon’s been chased and followed and eaten up, pushed to the sidelines, pulled back and shot off into the distance. All you can do is watch on as you move your heart outwards, mismatch your socks, dream of a tube that sprints underneath you. All limbs are akimbo, spreadeagled to catch your fall. Feel the ground push up against every part of your body, the earth pulsing, pulse quickening, fingertips that stretch apart like a boat pushed away from its dock. The reef is dying, its whiteness widening, and soon there’s only rubble seen from space. On public transport they save room for cats, knees spread apart and open backpacks spilling contents across the aisle. The afternoon plods on, minutes refusing to pass.

~Thanks to EdCommers Phoebe Paterson de Heer and Holly Friedlander Liddicoat for the blurb~

Remember, you don't have to stick to the theme. Most of all, we want good work. Our motto is:

—Themed work: good

—Good work: better

—Good themed work: BEST 

Rates of Pay

$100 for a single published piece or $150 for a multi-page suite.

Terms of Publication

Express Media publishes work in Voiceworks on a non-exclusive, irrevocable and royalty-free basis. We require writers who will be published in Voiceworks to sign a licence deed granting us permission to publish work in the printed Voiceworks magazine, on the Express Media website, and for use in promoting our magazine. Writers retain copyright of their work and are free to use in whatever way they’d like in the future. Please only submit your work if you are satisfied with these terms. For more information about this, please contact us.