Submission Guidelines

Please make sure you read the following guidelines closely. If you’re unsure about any of the guidelines, please contact Voiceworks editor Mira Schlosberg.
We are only able to publish work by writers and artists who are under twenty-five at the time of submission. Please also keep in mind that because of our funding arrangements, we are only able to publish Australian writers and artists. However, international students are excepted from this.
Voiceworks only considers previously unpublished work (which includes personal websites and blogs). We accept simultaneous submissions, but please let us know if your work is accepted for publication elsewhere.
If your submission is unsuccessful, we will notify you as soon as we can and then provide you with detailed feedback a little later. Feedback is written by a small group of volunteers and we receive a lot of submissions, so we appreciate your patience. If you think something’s gone wrong, or you haven’t heard from us three months after the submission deadline, please get in touch. 

Guidelines

Voiceworks Online will publish fiction, nonfiction, poetry and comics designed specifically for a digital platform. This means interactive fic, code poetry, hypertext essays, animated comics… if it can’t be printed on a physical page, this is the place for it.

Please submit completed work as a ZIP file containing all of the images, code and other assets used in your work. Comics may be submitted as PDFs, JPEGs or ZIP files, and can be submitted with or without formatting code, it’s up to you!

For programmable works we accept HTML-based work, including those with CSS and Javascript code. Work that relies on external APIS or server-side code may run into issues on our publishing platform, and will be published at the online editors’ discretion. 

Please send no more than two pieces at a time. Word limits are as follows:

Fiction and nonfiction - no more than 3000 words

Poetry - no more than 100 lines

Comics - no more than 10 pages

If you are submitting two pieces, please upload them both in this submission (as two separate documents), rather than creating a second submission.

If you aren’t sure if what you’re working on is the right fit for us, or if you want some guidance developing an idea, please feel free to send us a pitch via the Voiceworks Online Pitches form.


Those seeking to submit work to the print magazine, please see the separate submission categories. 

 

To get a better idea of what kind of work we publish on Voiceworks Online, check out our published pieces on the website and also our 'Guide to Digital Writing'.

Rates of Pay

$100-$150 per published piece, depending on length and format 

Terms of Publication

Express Media publishes work in Voiceworks on a non-exclusive, irrevocable and royalty-free basis. We require writers who will be published in Voiceworks to sign a licence deed granting us permission to publish work in the printed Voiceworks magazine, on the Express Media and Voiceworks websites, and for use in promoting our magazine. Writers retain copyright of their work and are free to use in whatever way they’d like in the future. Please only submit your work if you are satisfied with these terms. For more information about this, please contact Voiceworks Editor Mira Schlosberg at editor@expressmedia.org.au.

Submission Guidelines

Please make sure you read the following guidelines closely. If you’re unsure about any of the guidelines, please contact Voiceworks editor Mira Schlosberg at editor@expressmedia.org.au.

We are only able to publish work by writers and artists who are under twenty-five at the time of submission. Please also keep in mind that because of our funding arrangements, we are only able to publish writers living in Australia or Australian writers living overseas.

Voiceworks only considers previously unpublished work (which includes personal websites and blogs). We accept simultaneous submissions, but please let us know if your work is accepted for publication elsewhere.

If your submission is unsuccessful, we will notify you as soon as we can and then provide you with detailed feedback a little later. Feedback is written by a small group of volunteers and we receive a lot of submissions, so we appreciate your patience. If you think something’s gone wrong, or you haven’t heard from us three months after the submission deadline, please get in touch.

Nonfiction Guidelines

We recommend that you pitch your nonfiction work before sending it to us. For advice on how to construct your pitch, and write good nonfiction in general, check out our handy nonfiction guide here. Send no more than two nonfiction pieces (including pitches).

  • Send no more than two nonfiction pieces (including pitches and completed pieces) each no more than 3000 words. If you are submitting two completed nonfiction pieces, please upload them both in this submission (as two separate documents), rather than creating a second completed nonfiction submission. 
  • We encourage you to submit across genres, but please send us no more than four submissions in total (excluding visual art).
  • Those seeking to submit completed nonfiction, fiction, poetry and visual art, please see the separate submission categories.

Deadline: Sunday 12 April, 11:59pm AEDT

Theme: As If!
EXT. DAY. A VERDANT FIELD. SUNFLOWERS LINE THE FENCE. IT IS TOO WINDY. 

A COW and a single ALMOND stand behind a trestle table. They await judgement. 

A BUTTER KNIFE stands before them with the manic energy of an early afternoon cooking show host.

BUTTER KNIFE: It’s been a long road for you both. Highs and lows. Too much salt, too much sugar. Not enough calcium. Not creamy enough. Splitting when the water is too hot. You must be exhausted. Almost too tired to go on. We’ve got something that can help. 

A MOTHER ALMOND emerges from the middle distance and rolls over to hug her son. Patches of his skin flake off when he jumps in excitement. The COW looks around expectantly. The BUTTER KNIFE laughs awkwardly. There is a moment.

COW: [plaintive moo]

BUTTER KNIFE: [clears throat]  It’s time to begin the final challenge! 

A TUB OF BODY BUTTER cheers from the sidelines. It was not food and didn’t taste good.

INT. LATE EVENING. LIVING ROOM.

A YOUNG WOMAN, home after a long day at work, sits in the middle of her dirtied white couch. Golden streams of warm melted butter run down her forearms, leaking out the bottom of her toast. It coats her lips. She swipes on Tinder while the ads play, struggling to stay awake. A notification comes up her screen: BELOVED TV HOST BUTTER KNIFE CAUGHT IN WAGES SCANDAL. The phone slips out of her buttered hands. She falls asleep.

A dream sequence: she sails a celery vessel on a sea of peanut butter, eyes on the smooth horizon.

~Thanks to EdCommers Kareena Dhaliwal and Catherine Treloar for the blurb~
 

Remember, you don't have to stick to the theme. Most of all, we want good writing!

Rates of Pay

$100 per published piece.

Terms of Publication

Express Media publishes work in Voiceworks on a non-exclusive, irrevocable and royalty-free basis. We require writers who will be published in Voiceworks to sign a licence deed granting us permission to publish work in the printed Voiceworks magazine, on the Express Media and Voiceworks websites, and for use in promoting our magazine. Writers retain copyright of their work and are free to use in whatever way they’d like in the future. Please only submit your work if you are satisfied with these terms. For more information about this, please contact us.

Subscribe

To get a better idea of what kind of work we publish in the magazine, and to help us continue to support young writers, you can subscribe* to Voiceworks here.
*Choosing not to subscribe will not impact your submission.

Submission Guidelines

Please make sure you read the following guidelines closely. If you’re unsure about any of the guidelines, please contact Voiceworks editor Mira Schlosberg at editor@expressmedia.org.au.

We are only able to publish work by writers and artists who are under twenty-five at the time of submission. Please also keep in mind that because of our funding arrangements, we are only able to publish writers living in Australia or Australian writers living overseas.

Voiceworks only considers previously unpublished work (which includes personal websites and blogs). We accept simultaneous submissions, but please let us know if your work is accepted for publication elsewhere.

If your submission is unsuccessful, we will notify you as soon as we can and then provide you with detailed feedback a little later. Feedback is written by a small group of volunteers and we receive a lot of submissions, so we appreciate your patience. If you think something’s gone wrong, or you haven’t heard from us three months after the submission deadline, please get in touch.

Fiction Guidelines

  •  Send no more than two fiction pieces, each no more than 3000 words. If you are submitting two stories, please upload them both in this submission (as two separate documents), rather than creating a second fiction submission.
  • We encourage you to submit across genres, but please send us no more than four submissions in total (excluding visual art).
  • Those seeking to submit nonfiction, poetry or visual art, please see the separate submission categories.

Deadline: Sunday 12 April 11:59pm AEST

Theme: Butter
EXT. DAY. A VERDANT FIELD. SUNFLOWERS LINE THE FENCE. IT IS TOO WINDY. 

A COW and a single ALMOND stand behind a trestle table. They await judgement. 

A BUTTER KNIFE stands before them with the manic energy of an early afternoon cooking show host.

BUTTER KNIFE: It’s been a long road for you both. Highs and lows. Too much salt, too much sugar. Not enough calcium. Not creamy enough. Splitting when the water is too hot. You must be exhausted. Almost too tired to go on. We’ve got something that can help. 

A MOTHER ALMOND emerges from the middle distance and rolls over to hug her son. Patches of his skin flake off when he jumps in excitement. The COW looks around expectantly. The BUTTER KNIFE laughs awkwardly. There is a moment.

COW: [plaintive moo]

BUTTER KNIFE: [clears throat]  It’s time to begin the final challenge! 

A TUB OF BODY BUTTER cheers from the sidelines. It was not food and didn’t taste good.

INT. LATE EVENING. LIVING ROOM.

A YOUNG WOMAN, home after a long day at work, sits in the middle of her dirtied white couch. Golden streams of warm melted butter run down her forearms, leaking out the bottom of her toast. It coats her lips. She swipes on Tinder while the ads play, struggling to stay awake. A notification comes up her screen: BELOVED TV HOST BUTTER KNIFE CAUGHT IN WAGES SCANDAL. The phone slips out of her buttered hands. She falls asleep.

A dream sequence: she sails a celery vessel on a sea of peanut butter, eyes on the smooth horizon.

~Thanks to EdCommers Kareena Dhaliwal and Catherine Treloar for the blurb~


Remember, you don't have to stick to the theme. Most of all, we want good writing!

Rates of Pay

$100 per published piece.

Terms of Publication

Express Media publishes work in Voiceworks on a non-exclusive, irrevocable and royalty-free basis. We require writers who will be published in Voiceworks to sign a licence deed granting us permission to publish work in the printed Voiceworks magazine, on the Express Media and Voiceworks websites, and for use in promoting our magazine. Writers retain copyright of their work and are free to use in whatever way they’d like in the future. Please only submit your work if you are satisfied with these terms. For more information about this, please contact us.

Subscribe

To get a better idea of what kind of work we publish in the magazine, and to help us continue to support young writers, you can subscribe* to Voiceworks here.
 *Choosing not to subscribe will not impact your submission.

Submission Guidelines

Please make sure you read the following guidelines closely. If you’re unsure about any of the guidelines, please contact Voiceworks editor Mira Schlosberg at editor@expressmedia.org.au.

We are only able to publish work by writers and artists who are under twenty-five at the time of submission. Please also keep in mind that because of our funding arrangements, we are only able to publish writers living in Australia or Australian writers living overseas.

Voiceworks only considers previously unpublished work (which includes personal websites and blogs). We accept simultaneous submissions, but please let us know if your work is accepted for publication elsewhere.

If your submission is unsuccessful, we will notify you as soon as we can and then provide you with detailed feedback a little later. Feedback is written by a small group of volunteers and we receive a lot of submissions, so we appreciate your patience. If you think something’s gone wrong, or you haven’t heard from us three months after the submission deadline, please get in touch.

Poetry Guidelines

  • Please send no more than three poems, each no more than 100 lines in total, and combine all poems into one document. Check out some tips for strengthening your poetry submission here.
  • We encourage you to submit across genres, but please send us no more than four submissions in total (excluding visual art).
  • Those seeking to submit fiction, nonfiction and visual art, please see the separate submission categories. 

  

Deadline: Sunday 12 April 11:59pm AEST

Theme: Butter

EXT. DAY. A VERDANT FIELD. SUNFLOWERS LINE THE FENCE. IT IS TOO WINDY. 

A COW and a single ALMOND stand behind a trestle table. They await judgement. 

A BUTTER KNIFE stands before them with the manic energy of an early afternoon cooking show host.

BUTTER KNIFE: It’s been a long road for you both. Highs and lows. Too much salt, too much sugar. Not enough calcium. Not creamy enough. Splitting when the water is too hot. You must be exhausted. Almost too tired to go on. We’ve got something that can help. 

A MOTHER ALMOND emerges from the middle distance and rolls over to hug her son. Patches of his skin flake off when he jumps in excitement. The COW looks around expectantly. The BUTTER KNIFE laughs awkwardly. There is a moment.

COW: [plaintive moo]

BUTTER KNIFE: [clears throat]  It’s time to begin the final challenge! 

A TUB OF BODY BUTTER cheers from the sidelines. It was not food and didn’t taste good.

INT. LATE EVENING. LIVING ROOM.

A YOUNG WOMAN, home after a long day at work, sits in the middle of her dirtied white couch. Golden streams of warm melted butter run down her forearms, leaking out the bottom of her toast. It coats her lips. She swipes on Tinder while the ads play, struggling to stay awake. A notification comes up her screen: BELOVED TV HOST BUTTER KNIFE CAUGHT IN WAGES SCANDAL. The phone slips out of her buttered hands. She falls asleep.

A dream sequence: she sails a celery vessel on a sea of peanut butter, eyes on the smooth horizon.

~Thanks to EdCommers Kareena Dhaliwal and Catherine Treloar for the blurb~

Remember, you don't have to stick to the theme. Most of all, we want good writing!

Rates of Pay

$100 per published piece.

Terms of Publication

Express Media publishes work in Voiceworks on a non-exclusive, irrevocable and royalty-free basis. We require writers who will be published in Voiceworks to sign a licence deed granting us permission to publish work in the printed Voiceworks magazine, on the Express Media and Voiceworks websites, and for use in promoting our magazine. Writers retain copyright of their work and are free to use in whatever way they’d like in the future. Please only submit your work if you are satisfied with these terms. For more information about this, please contact us.

Subscribe

To get a better idea of what kind of work we publish in the magazine, and to help us continue to support young writers, you can subscribe* to Voiceworks here

*Choosing not to subscribe will not impact your submission.

Submission Guidelines

Please make sure you read the following guidelines closely. If you’re unsure about any of the guidelines, please contact Voiceworks editor Mira Schlosberg at editor@expressmedia.org.au. 

We are only able to publish work by writers and artists who are under twenty-five at the time of submission. Please also keep in mind that because of our funding arrangements, we are only able to publish writers living in Australia or Australian writers living overseas.

Voiceworks only considers previously unpublished work (which includes personal websites and blogs). We accept simultaneous submissions, but please let us know if your work is accepted for publication elsewhere.

If your submission is unsuccessful, we will notify you as soon as we can and then provide you with detailed feedback a little later. Feedback is written by a small group of volunteers and we receive a lot of submissions, so we appreciate your patience. If you think something’s gone wrong, or you haven’t heard from us three months after the submission deadline, please get in touch.

Visual Art and Comics Guidelines

  • Visual art submissions include comics, illustrations, drawings, graphics, etc. We recommend that you pitch your comics before sending them to us. For advice on how to construct your pitch, check out our handy guide here.
  • We print in duotone (two colours) and our page dimensions are 170 x 245 mm. Please supply your images in greyscale, at actual size and 300dpi. Please name your files—strings of numbers and letters are easily confused with other submissions.
  • Please send no more than three pieces. If you are submitting more than one piece, please upload them all in this submission, rather than creating a second visual art submission.

We will notify you as soon as we can with news on whether your submission has been accepted. Voiceworks is largely run by a team of volunteers, so we appreciate your patience. If you think something’s gone wrong, or you haven’t heard from us three months after the submission deadline, please get in touch.
 

Deadline: Sunday 3 May 11:59pm AEST

Theme: Butter

EXT. DAY. A VERDANT FIELD. SUNFLOWERS LINE THE FENCE. IT IS TOO WINDY. 

A COW and a single ALMOND stand behind a trestle table. They await judgement. 

A BUTTER KNIFE stands before them with the manic energy of an early afternoon cooking show host.

BUTTER KNIFE: It’s been a long road for you both. Highs and lows. Too much salt, too much sugar. Not enough calcium. Not creamy enough. Splitting when the water is too hot. You must be exhausted. Almost too tired to go on. We’ve got something that can help. 

A MOTHER ALMOND emerges from the middle distance and rolls over to hug her son. Patches of his skin flake off when he jumps in excitement. The COW looks around expectantly. The BUTTER KNIFE laughs awkwardly. There is a moment.

COW: [plaintive moo]

BUTTER KNIFE: [clears throat]  It’s time to begin the final challenge! 

A TUB OF BODY BUTTER cheers from the sidelines. It was not food and didn’t taste good.

INT. LATE EVENING. LIVING ROOM.

A YOUNG WOMAN, home after a long day at work, sits in the middle of her dirtied white couch. Golden streams of warm melted butter run down her forearms, leaking out the bottom of her toast. It coats her lips. She swipes on Tinder while the ads play, struggling to stay awake. A notification comes up her screen: BELOVED TV HOST BUTTER KNIFE CAUGHT IN WAGES SCANDAL. The phone slips out of her buttered hands. She falls asleep.

A dream sequence: she sails a celery vessel on a sea of peanut butter, eyes on the smooth horizon.

~Thanks to EdCommers Kareena Dhaliwal and Catherine Treloar for the blurb~

Remember, you don't have to stick to the theme. Most of all, we want good writing!

Rates of Pay

$100 for visual artworks, $150 for multi-page comics and suites of art

Terms of Publication

Express Media publishes work in Voiceworks on a non-exclusive, irrevocable and royalty-free basis. We require writers who will be published in Voiceworks to sign a licence deed granting us permission to publish work in the printed Voiceworks magazine, on the Express Media and Voiceworks websites, and for use in promoting our magazine. Writers retain copyright of their work and are free to use in whatever way they’d like in the future. Please only submit your work if you are satisfied with these terms. For more information about this, please contact us.

Subscribe

To get a better idea of what kind of work we publish in the magazine, and to help us continue to support young writers, you can subscribe* to Voiceworks here

*Choosing not to subscribe will not impact your submission.

Express Media